1 序文
2 調査範囲と方法論
2.1 調査の目的
2.2 ステークホルダー
2.3 データソース
2.3.1 一次情報源
2.3.2 二次情報源
2.4 市場推定
2.4.1 ボトムアップアプローチ
2.4.2 トップダウンアプローチ
2.5 予測方法
3 エグゼクティブ・サマリー
4 はじめに
4.1 概要
4.2 主要産業動向
5 プロスピーカーの世界市場
5.1 市場概要
5.2 市場パフォーマンス
5.3 COVID-19の影響
5.4 市場予測
6 製品別市場構成
6.1 ポイントソース
6.1.1 市場動向
6.1.2 市場予測
6.2 ラインアレイ
6.2.1 市場動向
6.2.2 市場予測
6.3 サブウーファー
6.3.1 市場動向
6.3.2 市場予測
6.4 その他
6.4.1 市場動向
6.4.2 市場予測
7 フォーマット別市場
7.1 デジタル
7.1.1 市場動向
7.1.2 市場予測
7.2 アナログ
7.2.1 市場動向
7.2.2 市場予測
8 増幅方式別市場
8.1 パッシブスピーカー
8.1.1 市場動向
8.1.2 市場予測
8.2 パワードスピーカー
8.2.1 市場動向
8.2.2 市場予測
9 流通チャネル別市場
9.1 オンラインチャネル
9.1.1 市場動向
9.1.2 市場予測
9.2 オフラインチャネル
9.2.1 市場動向
9.2.2 市場予測
10 エンドユーザー別市場
10.1 法人
10.1.1 市場動向
10.1.2 市場予測
10.2 大規模会場・イベント
10.2.1 市場動向
10.2.2 市場予測
10.3 教育機関
10.3.1 市場動向
10.3.2 市場予測
10.4 政府・軍関係
10.4.1 市場動向
10.4.2 市場予測
10.5 スタジオと放送
10.5.1 市場動向
10.5.2 市場予測
10.6 ホスピタリティ
10.6.1 市場動向
10.6.2 市場予測
10.7 その他
10.7.1 市場動向
10.7.2 市場予測
11 地域別市場内訳
11.1 北米
11.1.1 米国
11.1.1.1 市場動向
11.1.1.2 市場予測
11.1.2 カナダ
11.1.2.1 市場動向
11.1.2.2 市場予測
11.2 アジア太平洋
11.2.1 中国
11.2.1.1 市場動向
11.2.1.2 市場予測
11.2.2 日本
11.2.2.1 市場動向
11.2.2.2 市場予測
11.2.3 インド
11.2.3.1 市場動向
11.2.3.2 市場予測
11.2.4 韓国
11.2.4.1 市場動向
11.2.4.2 市場予測
11.2.5 オーストラリア
11.2.5.1 市場動向
11.2.5.2 市場予測
11.2.6 インドネシア
11.2.6.1 市場動向
11.2.6.2 市場予測
11.2.7 その他
11.2.7.1 市場動向
11.2.7.2 市場予測
11.3 ヨーロッパ
11.3.1 ドイツ
11.3.1.1 市場動向
11.3.1.2 市場予測
11.3.2 フランス
11.3.2.1 市場動向
11.3.2.2 市場予測
11.3.3 イギリス
11.3.3.1 市場動向
11.3.3.2 市場予測
11.3.4 イタリア
11.3.4.1 市場動向
11.3.4.2 市場予測
11.3.5 スペイン
11.3.5.1 市場動向
11.3.5.2 市場予測
11.3.6 ロシア
11.3.6.1 市場動向
11.3.6.2 市場予測
11.3.7 その他
11.3.7.1 市場動向
11.3.7.2 市場予測
11.4 中南米
11.4.1 ブラジル
11.4.1.1 市場動向
11.4.1.2 市場予測
11.4.2 メキシコ
11.4.2.1 市場動向
11.4.2.2 市場予測
11.4.3 その他
11.4.3.1 市場動向
11.4.3.2 市場予測
11.5 中東・アフリカ
11.5.1 市場動向
11.5.2 国別市場内訳
11.5.3 市場予測
12 SWOT分析
12.1 概要
12.2 強み
12.3 弱点
12.4 機会
12.5 脅威
13 バリューチェーン分析
14 ポーターズファイブフォース分析
14.1 概要
14.2 買い手の交渉力
14.3 供給者の交渉力
14.4 競争の程度
14.5 新規参入の脅威
14.6 代替品の脅威
15 価格分析
16 競争環境
16.1 市場構造
16.2 主要プレーヤー
16.3 主要プレーヤーのプロフィール
B&c Speakers
B&W Group Ltd.
Bose Corporation
CELTO Acoustique Ltd.
CODA Audio GmbH
D&B Audiotechnik GmbH & Co. KG
K-Array
Klipsch Group Inc. （Voxx International）
L-Acoustics Group
Meyer Sound Laboratories Incorporated
Renkus-Heinz Inc.
Sennheiser electronic GmbH & Co. KG
Sony Group Corporation
Yamaha Corporation
A professional speaker is used to record sounds, set up sound reinforcement systems, and mix audio by high-end customers for studio-quality audio equipment. They offer an accurate, transparent, uncolored reproduction of the tonal qualities of the source audio, thereby providing natural playback of the recorded material. Typically, these speakers are used in studios for recording songs and albums by trained record producers, sound engineers, audio engineers, and audio technicians. These devices ensure the output ensures high-accuracy residential installed surround sound and distributed audio. Professional speakers find extensive applications in the production of audio for television broadcasts, radio broadcasts, and sound reinforcement applications, such as live concerts and DJ performances.
Pro Speakers Market Trends:
The market is majorly driven by the accelerating demand for professional audio speakers in the commercial sector. This can be attributed to the to the flourishing music industry, along with a paradigm shift in consumer behavior towards live music events and exhibitions. Moreover, the increasing number of new bars and nightclubs opening and the replacement of old sound systems in existing nightclubs and bars are resulting in the installation of improved sound systems, thereby fueling the market. Moreover, various product innovations and futuristic inventions in wireless digital technology, and the integration of the internet of things (IoT) with professional audio equipment are providing an impetus to the market. The market is further propelled by the rapid utilization of pro audio equipment in sporting events due to the rise in investments in sports sponsorship. Some of the other factors contributing to the market growth include continuous developments in complementary digital technologies, the advent of new start-ups with advanced product portfolios, rapid urbanization, and extensive research and development (R&D) activities.
Key Market Segmentation:
IMARC Group provides an analysis of the key trends in each sub-segment of the global pro speakers market report, along with forecasts at the global, regional and country level from 2025-2033. Our report has categorized the market based on product, format, amplification method, distribution channel and end user.
Breakup by Product:
Point Source
Line Array
Sub Woofers
Others
Breakup by Format:
Digital
Analog
Breakup by Amplification Method:
Passive Speakers
Powered Speakers
Breakup by Distribution Channel:
Online Channel
Offline Channel
Breakup by End User:
Corporates
Large Venues and Events
Educational Institutes
Government and Military
Studio and Broadcasting
Hospitality
Others
Breakup by Region:
North America
United States
Canada
Asia-Pacific
China
Japan
India
South Korea
Australia
Indonesia
Others
Europe
Germany
France
United Kingdom
Italy
Spain
Russia
Others
Latin America
Brazil
Mexico
Others
Middle East and Africa
Competitive Landscape:
The competitive landscape of the industry has also been examined along with the profiles of the key players being B&c Speakers, B&W Group Ltd., Bose Corporation, CELTO Acoustique Ltd., CODA Audio GmbH, D&B Audiotechnik GmbH & Co. KG, K-Array, Klipsch Group Inc. (Voxx International), L-Acoustics Group, Meyer Sound Laboratories Incorporated, Renkus-Heinz Inc., Sennheiser electronic GmbH & Co. KG, Sony Group Corporation and Yamaha Corporation. Kindly, note that this only represents a partial list of companies, and the complete list has been provided in the report.
Key Questions Answered in This Report
How has the global pro speakers market performed so far and how will it perform in the coming years?
What has been the impact of COVID-19 on the global pro speakers market?
What is the market size for pro speakers?
What are the key regional markets?
What is the breakup of the market based on the product?
What is the breakup of the market based on the format?
What is the breakup of the market based on the amplification method?
What is the breakup of the market based on the distribution channel?
What is the breakup of the market based on the end users?
What are the various stages in the value chain of the industry?
What are the key driving factors and challenges in the industry?
What is the structure of the global pro speakers market and who are the key players?
What is the degree of competition in the industry?
1 Preface
2 Scope and Methodology
2.1 Objectives of the Study
2.2 Stakeholders
2.3 Data Sources
2.3.1 Primary Sources
2.3.2 Secondary Sources
2.4 Market Estimation
2.4.1 Bottom-Up Approach
2.4.2 Top-Down Approach
2.5 Forecasting Methodology
3 Executive Summary
4 Introduction
4.1 Overview
4.2 Key Industry Trends
5 Global Pro Speakers Market
5.1 Market Overview
5.2 Market Performance
5.3 Impact of COVID-19
5.4 Market Forecast
6 Market Breakup by Product
6.1 Point Source
6.1.1 Market Trends
6.1.2 Market Forecast
6.2 Line Array
6.2.1 Market Trends
6.2.2 Market Forecast
6.3 Sub Woofers
6.3.1 Market Trends
6.3.2 Market Forecast
6.4 Others
6.4.1 Market Trends
6.4.2 Market Forecast
7 Market Breakup by Format
7.1 Digital
7.1.1 Market Trends
7.1.2 Market Forecast
7.2 Analog
7.2.1 Market Trends
7.2.2 Market Forecast
8 Market Breakup by Amplification Method
8.1 Passive Speakers
8.1.1 Market Trends
8.1.2 Market Forecast
8.2 Powered Speakers
8.2.1 Market Trends
8.2.2 Market Forecast
9 Market Breakup by Distribution Channel
9.1 Online Channel
9.1.1 Market Trends
9.1.2 Market Forecast
9.2 Offline Channel
9.2.1 Market Trends
9.2.2 Market Forecast
10 Market Breakup by End Users
10.1 Corporates
10.1.1 Market Trends
10.1.2 Market Forecast
10.2 Large Venues and Events
10.2.1 Market Trends
10.2.2 Market Forecast
10.3 Educational Institutes
10.3.1 Market Trends
10.3.2 Market Forecast
10.4 Government and Military
10.4.1 Market Trends
10.4.2 Market Forecast
10.5 Studio and Broadcasting
10.5.1 Market Trends
10.5.2 Market Forecast
10.6 Hospitality
10.6.1 Market Trends
10.6.2 Market Forecast
10.7 Others
10.7.1 Market Trends
10.7.2 Market Forecast
11 Market Breakup by Region
11.1 North America
11.1.1 United States
11.1.1.1 Market Trends
11.1.1.2 Market Forecast
11.1.2 Canada
11.1.2.1 Market Trends
11.1.2.2 Market Forecast
11.2 Asia-Pacific
11.2.1 China
11.2.1.1 Market Trends
11.2.1.2 Market Forecast
11.2.2 Japan
11.2.2.1 Market Trends
11.2.2.2 Market Forecast
11.2.3 India
11.2.3.1 Market Trends
11.2.3.2 Market Forecast
11.2.4 South Korea
11.2.4.1 Market Trends
11.2.4.2 Market Forecast
11.2.5 Australia
11.2.5.1 Market Trends
11.2.5.2 Market Forecast
11.2.6 Indonesia
11.2.6.1 Market Trends
11.2.6.2 Market Forecast
11.2.7 Others
11.2.7.1 Market Trends
11.2.7.2 Market Forecast
11.3 Europe
11.3.1 Germany
11.3.1.1 Market Trends
11.3.1.2 Market Forecast
11.3.2 France
11.3.2.1 Market Trends
11.3.2.2 Market Forecast
11.3.3 United Kingdom
11.3.3.1 Market Trends
11.3.3.2 Market Forecast
11.3.4 Italy
11.3.4.1 Market Trends
11.3.4.2 Market Forecast
11.3.5 Spain
11.3.5.1 Market Trends
11.3.5.2 Market Forecast
11.3.6 Russia
11.3.6.1 Market Trends
11.3.6.2 Market Forecast
11.3.7 Others
11.3.7.1 Market Trends
11.3.7.2 Market Forecast
11.4 Latin America
11.4.1 Brazil
11.4.1.1 Market Trends
11.4.1.2 Market Forecast
11.4.2 Mexico
11.4.2.1 Market Trends
11.4.2.2 Market Forecast
11.4.3 Others
11.4.3.1 Market Trends
11.4.3.2 Market Forecast
11.5 Middle East and Africa
11.5.1 Market Trends
11.5.2 Market Breakup by Country
11.5.3 Market Forecast
12 SWOT Analysis
12.1 Overview
12.2 Strengths
12.3 Weaknesses
12.4 Opportunities
12.5 Threats
13 Value Chain Analysis
14 Porters Five Forces Analysis
14.1 Overview
14.2 Bargaining Power of Buyers
14.3 Bargaining Power of Suppliers
14.4 Degree of Competition
14.5 Threat of New Entrants
14.6 Threat of Substitutes
15 Price Analysis
16 Competitive Landscape
16.1 Market Structure
16.2 Key Players
16.3 Profiles of Key Players
16.3.1 B&c Speakers
16.3.1.1 Company Overview
16.3.1.2 Product Portfolio
16.3.1.3 Financials
16.3.2 B&W Group Ltd.
16.3.2.1 Company Overview
16.3.2.2 Product Portfolio
16.3.3 Bose Corporation
16.3.3.1 Company Overview
16.3.3.2 Product Portfolio
16.3.3.3 SWOT Analysis
16.3.4 CELTO Acoustique Ltd.
16.3.4.1 Company Overview
16.3.4.2 Product Portfolio
16.3.5 CODA Audio GmbH
16.3.5.1 Company Overview
16.3.5.2 Product Portfolio
16.3.6 D&B Audiotechnik GmbH & Co. KG
16.3.6.1 Company Overview
16.3.6.2 Product Portfolio
16.3.7 K-Array
16.3.7.1 Company Overview
16.3.7.2 Product Portfolio
16.3.8 Klipsch Group Inc. (Voxx International)
16.3.8.1 Company Overview
16.3.8.2 Product Portfolio
16.3.9 L-Acoustics Group
16.3.9.1 Company Overview
16.3.9.2 Product Portfolio
16.3.10 Meyer Sound Laboratories Incorporated
16.3.10.1 Company Overview
16.3.10.2 Product Portfolio
16.3.11 Renkus-Heinz Inc.
16.3.11.1 Company Overview
16.3.11.2 Product Portfolio
16.3.12 Sennheiser electronic GmbH & Co. KG
16.3.12.1 Company Overview
16.3.12.2 Product Portfolio
16.3.13 Sony Group Corporation
16.3.13.1 Company Overview
16.3.13.2 Product Portfolio
16.3.13.3 Financials
16.3.13.4 SWOT Analysis
16.3.14 Yamaha Corporation
16.3.14.1 Company Overview
16.3.14.2 Product Portfolio
16.3.14.3 Financials
16.3.14.4 SWOT Analysis
*** プロスピーカーの世界市場に関するよくある質問(FAQ) ***
・プロスピーカーの世界市場規模は？
→IMARC社は2024年のプロスピーカーの世界市場規模を2,540.2百万米ドルと推定しています。
・プロスピーカーの世界市場予測は？
→IMARC社は2033年のプロスピーカーの世界市場規模を3,459.6百万米ドルと予測しています。
・プロスピーカー市場の成長率は？
→IMARC社はプロスピーカーの世界市場が2025年～2033年に年平均3.3%成長すると展望しています。
・世界のプロスピーカー市場における主要プレイヤーは？
→「B&c Speakers、B&W Group Ltd.、Bose Corporation、CELTO Acoustique Ltd.、CODA Audio GmbH、D&B Audiotechnik GmbH & Co. KG、K-Array、Klipsch Group Inc. (Voxx International)、L-Acoustics Group、Meyer Sound Laboratories Incorporated、Renkus-Heinz Inc.、Sennheiser electronic GmbH & Co. KG、Sony Group Corporation、Yamaha Corporationなど ...」をプロスピーカー市場のグローバル主要プレイヤーとして判断しています。
※上記FAQの市場規模、市場予測、成長率、主要企業に関する情報は本レポートの概要を作成した時点での情報であり、最終レポートの情報と少し異なる場合があります。
*** 免責事項 ***
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